El cine como paradigma de la comunicación en la sociedad digitalla Web 2.0 como herramienta de investigación documental en la representación cinematográfica de la mujer rural castellano leonesa (1975-2010)

Résumé

The cinema like paradigm is a model epistemologic used by the similarities that it was offering of the reality as area of social representation. The figure of the rural woman and his identity across the cinematography from the arrival of the democracy to the current importance in Castilla and León is the topic of the present investigation. The web was the one that made the initial phase possible with the production of a catalogue of movies rolled in Castilla and León as base of official documentation and departing from this corpus of analysis the investigation has been carried out on a sample of 12 movies where this study was able to anchor. The cinematographic receipt again met made possible by the technological resources that the web offers meeting on it one I overturn since the traditional support of receipt meets altered by the new technologies - siteweb download films -. The objective: to analyze the image of the rural woman that the cinema has gone reflected throughout the years and his evolution, with the intention of establishing a detailed diagnosis of the principal features identity. The used methodology has been mixed; quantitative with surveys in depth and qualitative being nourished of the expositions of the cultural studies and the studies of kind. The obtained results are reflected in the different graphs that are contributed, stating the shortage of rural women represented in the cinematography and the evident evolution so much of vital as representative bosses, good reflection of the current company.