Los cien años de tira narrativa (1440-1550)Los inicios de la narración gráfica impresa
ISSN: 1130-5517
Año de publicación: 2011
Número: 23
Páginas: 9-20
Tipo: Artículo
Otras publicaciones en: Anuario del Departamento de Historia y Teoría del Arte
Resumen
Due to the growing academic interest in comics and graphic novels, some authors such as Roger Sabin or Santiago García have emphasized the kinship these modern genres of graphic narrative share with the Broadsheets where popular stories (lives of saints, popular scenes, mystic allegories or biblical passages) were represented in sequences of panels during the Late Middle Ages and the Renaissance. In his landmark work The History of Comic Strip, David Kunzle put together the first and only corpus (up to the present date) of this type of sequential engravings, giving them the name of Narrative Strips. Kunzle, however, held back the task of analyzing the formal features of these Narrative Strips. The purpose of this article is to provide a starting point for that task, establishing a bridge of dialogue between graphic narration and history of art.
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