Gil de Encinas y Bartolomé de Santa Cruz en el retablo de Horcajo de las Torres (Ávila) y su relación con el taller del Maestro de Astorga
ISSN: 1888-9751
Year of publication: 2013
Issue: 79
Pages: 59-68
Type: Article
More publications in: BSAA Arte
Abstract
Connection between documentation and formal analysis allows to link the Horcajo de las Torres’ altarpiece panels with the prolific school of Master of Astorga, especially with his production in Zamora, due to the painter Gil de Encinas.