El jardín de la casa de Arne Jacobsen en 'Søholm I'un espacio para la experimentación paisajística

  1. Almonacid, Rodrigo
Zeitschrift:
RA: revista de arquitectura

ISSN: 1138-5596

Datum der Publikation: 2018

Titel der Ausgabe: La naturaleza como material de construcción / Nature as Construction Material

Nummer: 20

Seiten: 162-175

Art: Artikel

DOI: 10.15581/014.20.162-175 DIALNET GOOGLE SCHOLAR lock_openOpen Access editor

Andere Publikationen in: RA: revista de arquitectura

Ziele für nachhaltige Entwicklung

Zusammenfassung

The Danish architect Arne Jacobsen (1902-71) made the most of every project for his own family houses by designing avant-garde, highly experimental solutions. For his single-family house in the Søholm row-houses (Klampenborg, 1946-50) the experimentation with the architectural project not only entailed designing domestic architecture but also the private garden. Although Søholm housing is widely known in strict architectural terms as an example of the New Empiricism developed in Nordic countries in postwar period, its gardening has been scarcely studied. The aim of this current research is try to verify the hypothesis of understanding the garden of Jacobsen’s own house as a “landscape design laboratory”, a real testing ground for his late works during the 50s and 60s. His botanical trials due to his fondness for gardening, his dedication to stare at the natural forms taking photographs and painting watercolors, and his architectural tests with the spatial screening thanks to “vegetal walls” and movable screens will turn out to be the basis for his following works such as the Munkegårds school, the Tom’s chocolate factory, the St. Catherine’s College in Oxford or the headquarters for the H.E.W. company in Hamburg. Through the analysis of Søholm “work-in-progress” garden it is possible to discover the importance of gardening, photography, watercolor painting and textile designs in the work of Arne Jacobsen, since he brings together all his hobbies with his professional activity as an architect. All of these experiences, besides his outstanding sensitivity towards natural landscape, make this case study into a melting pot of ideas, evocations and landscape sensations which are essential to understand the core of his architectural work.

Informationen zur Finanzierung

21. Este “tema arqueológico” será rescatado como tema central para el ajardinamiento de uno de los patios del Banco Nacional de Dinamarca en la década siguiente.

Geldgeber

Bibliographische Referenzen

  • ALMONACID, Rodrigo, Arne Jacobsen: el paisaje codificado. Tesis doctoral. Departamento de Teoría de la Arquitectura y Proyectos Arquitectónicos, E.T.S.A de la Universidad de Valladolid, 2012.
  • ALMONACID, Rodrigo, El paisaje codificado en la arquitectura de Arne Jacobsen, Ciudad Autónoma de Buenos Aires (Argentina), Diseño, 2016.
  • ÁLVAREZ, Darío, El jardín en la arquitectura del siglo XX. Naturaleza artificial en la cultura moderna, Barcelona, Reverté, colección “Estudios Universitarios de Arquitectura” n. 14, 2007.
  • ARIZA CASTRO, Felipe, Fotografía y arquitectura moderna: forma e imagen en la obra de Arne Jacobsen. Tesis doctoral, Departament de Projectes Arquitectònics, ETSA. Barcelona-UPC, 2011.
  • BARDÍ i MILÁ, Berta, Las casas de Arne Jacobsen: el patio y el pabellón. Tesis doctoral, Departament de Projectes Arquitectònics, ETSA. Barcelona-UPC, 2013.
  • BENÉVOLO, Leonardo, Historia de la Arquitectura moderna, Barcelona, Gustavo Gili, 8ª edición revisada y ampliada, 2007 (1960).
  • BROWN, Jane, El jardín moderno, Barcelona, Gustavo Gili, 2000.
  • FABER, Tobias, Arne Jacobsen, Nueva York, Frederick A. Praeger Inc. Publisher, 1964.
  • HAUXNER, Malene, Open to the Sky. The second phase of the modern breakthrough 1950-1970, Copenhague, Arkitektens Forlag / The Danish Architectural Press, 2003.
  • SHERIDAN, Michael, Room 606. The SAS House and the Work of Arne Jacobsen. Londres, Phaidon Press Limited, 2003.
  • SOLAGUREN-BEASCOA, Félix, Jacobsen. Barcelona, Santa & Cole Ediciones de Diseño y E.T.S.A. Barcelona, colección “Clásicos del diseño”, 1991.
  • SOLAGUREN-BEASCOA, Félix, Arne Jacobsen: Aproximación a la obra completa 1926-1949. Barcelona, Fundación Caja de arquitectos, Colección “Arquíthemas” n. 8, 2001.
  • SOLAGUREN-BEASCOA, Félix, Arne Jacobsen: Dibujos 1958-1965, Barcelona, Fundación Caja de arquitectos, Colección “Arquíthemas” n. 10, 2002.
  • SVANHOLM, Lise: Northern Light-The Skagen Painters, Copenhague, Gyldendal, 2004.
  • THAU, Carsten, VINDUM, Kjeld, Arne Jacobsen, Copenhague: Arkitektens Forlag, 1998 (edición en inglés: Arne Jacobsen. Copenhague, Danish Architectural Press, 2001).
  • TØJNER, Poul Eric (ed.): Atlas. Arne Jacobsens akvareller, Dinamarca: Aschehoug Dansk Forlag A/S, 2002.
  • Arquitectura COAM n. 285. Madrid, 1990.
  • Revista Internacional de Arquitectura 2G, n. 4 1997/IV, (“Arne Jacobsen. Edificios Públicos)”, Barcelona, Gustavo Gili, 1997.