Fragment, Overlap and TimeCarlo Scarpa’s Graphic Memory

  1. Lucía Balboa Domínguez
  2. Alberto Grijalba Bengoetxea
  3. Noelia Galván Desvaux
Buch:
Architectural Graphics
  1. Manuel A. Ródenas López (coord.)
  2. José Calvo López (coord.)
  3. Macarena Salcedo Galera (coord.)

Verlag: Springer Suiza

ISBN: 9783031046407

Datum der Publikation: 2022

Titel des Bandes: Graphics for Education and Thought

Ausgabe: 3

Seiten: 302-311

Kongress: Congreso Internacional de Expresión Gráfica Arquitectónica (19. 2022. Cartagena)

Art: Konferenz-Beitrag

Zusammenfassung

In Carlo Scarpa’s work the concepts of fragment, poetry and time, together with memory, define his work. His well-known project sketches show us interspersed ideas that make up a poem of elements that will be superimposed over time, expressing a world in a single plan. The thoughtful and prolonged creative process leaves its mark on his line on paper. A palimpsest where the layers will last, which will also be a constant reference in its architecture. This essay aims to analyze the palimpsest as a representation technique in Carlo Scarpa’s drawing. Reading the spelling of his sketches leads us to reinterpret his changing journey throughout time and through his strokes.