El consumo cultural y las ciudadesel consumo de cultura como elemento identitario y motor económico de las ciudades del siglo XXI

  1. Isabel Rodrigo Martín 1
  2. Luis Rodrigo Martín 1
  3. Mª Isabel Martín Requero 1
  1. 1 Universidad de Valladolid
    info

    Universidad de Valladolid

    Valladolid, España

    ROR https://ror.org/01fvbaw18

Liburua:
II Congreso Internacional Ciudades Creativas: actas
  1. Francisco García García (coord.)
  2. Rogerio García Fernández (coord.)

Argitaletxea: Icono 14 Asociación Científica

ISBN: 9788493907761

Argitalpen urtea: 2011

Bolumenaren izenburua: TOMO I

Liburukia: 1

Alea: 1

Orrialdeak: 246-256

Biltzarra: Congreso Internacional Ciudades Creativas (2. 2011. Madrid)

Mota: Biltzar ekarpena

DIALNET GOOGLE SCHOLAR lock_openSarbide irekia editor

Laburpena

Traditionally, culture has come to the citizens ofthe hand of formal education and, rarely, throughinformal education systems. However, today weare witnessing the rise of a new specialized consumer tries to seduce the citizen-consumer following strategies than any other type of consumption.This cultural consumption is articulated aroundthe axis of the cities. The consumption of leisure and culture as a reference geospatial cityand at the same time, it becomes the benchmarkfor the city’s identity, its personality and essence.Given this new perspective of culture as an objectof consumption there are two distinct needs. First acity need to develop and promote its conception asa space for citizen participation and training arounda cultural project, while second is projected as a letter to invite the approach of visitors and tourists.Cultural consumption and cultural constructionsabout consumption at the present time become aneconomic engine of the cities, so to fully understandthe cultural phenomenon of creative cities must takeinto account two perspectives: a own culture andknowledge and character other economist.

Datuen iturria: Dialnet