Los prismas de la figura femenina en rayuela: hacia una poética mujer-ciudad

  1. Izara Batres 2
  2. Santiago Sevilla Vallejo 1
  1. 1 Universidad de Salamanca
    info

    Universidad de Salamanca

    Salamanca, España

    ROR https://ror.org/02f40zc51

  2. 2 Universidad Internacional de La Rioja
    info

    Universidad Internacional de La Rioja

    Logroño, España

    ROR https://ror.org/029gnnp81

Aldizkaria:
Revista de Critica Literaria Latinoamericana

ISSN: 0252-8843

Argitalpen urtea: 2021

Alea: 47

Zenbakia: 94

Orrialdeak: 351-373

Mota: Artikulua

GOOGLE SCHOLAR lock_openSarbide irekia editor

Beste argitalpen batzuk: Revista de Critica Literaria Latinoamericana

Laburpena

Rayuela has different prisms that can be synthesized in two fundamental levels of study, the metaphysical metaphorical and the discursive psychological. In this work we propose to analyze the role of the feminine in Rayuela from this point of view, focusing on key points: the surrealist gaze that fosters the poetic union of Paris and women and that leads us to the flaneur-persecutor in Cortázar; woman as intercessory entity, as text or palimpsest, a code to be deciphered; and the woman as access to the absolute, to the sacred time or to the symbolic cons-tellation.