El cine como modelo de realidadanálisis de “Él” (Luis Buñuel, 1953)

  1. Esmeralda Hernández Toledano 1
  2. Luis Martín Arias 1
  1. 1 Universidad de Valladolid
    info

    Universidad de Valladolid

    Valladolid, España

    ROR https://ror.org/01fvbaw18

Journal:
Cuadernos del Centro de Estudios en Diseño y Comunicación. Ensayos

ISSN: 1853-3523,  1668-0227

Year of publication: 2020

Issue Title: Giros visuales

Issue: 79

Pages: 135-150

Type: Article

DOI: 10.18682/CDC.VI79.3681 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

More publications in: Cuadernos del Centro de Estudios en Diseño y Comunicación. Ensayos

Abstract

Every film liable to be analysed can be considered as a model of reality. And every movie –or any good film– is a document of our own psyche, of the fantasies that constitute our subjectivity. To illustrate this hypothesis, we have chosen as object of study the film “The”, of Luis Buñuel, shot in Mexico in 1953. Our main goal is to make a textual analysis, taking into account the theory of the “functions of language”, of the ‘poetic’ content of the movie, discarding other linguistic functions, the scientist and the ideological; considering that the image has to be thought as an essential component of language.

Data source: Dialnet