La vigencia de la iconografía surrealista en la moda actual. Una aproximación

  1. Laura Muñoz Pérez 1
  1. 1 Universidad de Salamanca, España
Journal:
I+Diseño: revista internacional de investigación, innovación y desarrollo en diseño

ISSN: 1889-433X

Year of publication: 2022

Volume: 17

Issue: 17

Pages: 49-60

Type: Article

DOI: 10.24310/IDISENO.2022.V17I.14323 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

More publications in: I+Diseño: revista internacional de investigación, innovación y desarrollo en diseño

Abstract

Fashion radiographs the historical moments it goes through. It adapts to the idiosyncrasies of societies and to the religious, moral, economic, climatological or socio-economic schemes of them, as well as it treats to be unique in novelty, design, richness and/or spectacularity. Fashion of the 20th and 21st centuries demands a level of creativity so fast and exacerbated that, when it seeks for inspiration, its own contemporaneity is insufficient, making necessary to broaden the gaze to other disciplines, ranging from biology to history through folklore or art. Fashion designers have no qualms about paying homage to the most varied representatives of dance, literature, cinema or music, as well as, of course, outstanding creators of international Art History. This article proposes a study of the links between current fashion and surrealist iconography. Although the harmony is evident and confirms the fecundity of Surrealism as a nourishing source for disciplines and historical moments far from its own, the reduction of the broad spectrum of this avant-garde to some of its iconic works or its most outstanding motifs is a sign of how fashion has abused its prolixity and innovation so much that it has ended up diluting its first intention, both the purely creative and the iconoclastic and breaking conventions that was its own, turning its identifying features into serial elements, impoverished in meaning and each time further away from its original creative essence.

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